![]() ![]() Lenin used such methods, however, only against actual class enemies and not against those who blunder. Vladimir Ilyich demanded uncompromising dealings with the enemies of the revolution. Mass arrests and deportations of many thousands of people, execution without trial and without normal investigation created conditions of insecurity, fear and even desperation. Innocent individuals - who in the past had defended the party line - became victims. "Confessions" were acquired through physical pressures. On the whole, the only proof of guilt actually used was the "confession" of the accused himself. It made possible the use of the cruellest repression, against anyone who in any way disagreed with Stalin, against those who were only suspected of hostile intent, against those who had bad reputations. This term automatically made it unnecessary that the ideological errors of a man be proven. Stalin originated the concept "enemy of the people". Stalin, who absolutely did not tolerate collegiality in leadership and in work, acted not through persuasion, but by imposing his concepts and demanding absolute submission to his opinion. They speak eloquently for themselves.Īs later events have proven, Lenin's anxiety was justified. Despite the fact that she told you that she agreed to forget what was said, I have no intention to forget so easily." Comrades! I will not comment on these documents. In March 1923, Lenin sent Stalin the following letter: "Dear comrade Stalin! You permitted yourself a rude summons of my wife to the telephone and a rude reprimand of her. Vladimir Ilyich said: "I propose that the comrades consider the method by which Stalin would be removed from this position and by which another man would be selected for it, a man who, above all, would differ from Stalin in only one quality, namely, greater tolerance, greater loyalty, greater kindness."Ĭomrades! The party congress should become acquainted with new documents, which confirm Stalin's character. In 1922 Vladimir Ilyich wrote: "After taking over the position of general secretary, comrade Stalin accumulated immeasurable power in his hands and I am not certain whether he will be always able to use this power with the required care." Fearing the future fate of the of the Soviet nation, Lenin pointed out that it was necessary to consider transferring Stalin from the position of general secretary because Stalin did not have a proper attitude toward his comrades. Lenin detected in Stalin those negative characteristics which resulted later in grave consequences. ![]() He patiently explained his opinions to others. Lenin mercilessly stigmatised every manifestation of the cult of the individual. Lenin always stressed the role of the people as the creator of history. The great modesty of the genius of the revolution, Vladimir Ilyich Lenin, is known. The central committee considers it absolutely necessary to make material pertaining to this matter available to the 20th congress. The project Suck Me Shakespeer 3 received support from the Bavarian regional fund FilmFernsehFonds Bayern (to the tune of €1.2 million), the Medienboard Berlin-Brandenburg (€500,000) and the FFA (€700,000).At present, we are concerned with how the cult of Stalin has been gradually growing, the cult which became the source of a whole series of exceedingly serious perversions of party principles, of party democracy, of revolutionary legality. The film’s huge crew, which also included DoP Markus Nestroy, production designer Eva Maria Stiebler (who was previously in charge of the sets for Suck Me Shakespeer 2) and costume designer Eva Maria Stiebler (who has been on board for the whole trilogy), carried out principal photography from 28 March-18 June in and around Munich. Overwhelmed, just like the headmistress, Mrs Gudrun Gerster ( Katja Riemann), he will start to explore some unconventional methods of a veterinary nature, which will not necessarily be to the liking of his new colleague Biggi Enzberger ( Sandra Hüller, from Toni Erdmann [ + see also: The character of bank robber Zeki Müller ( Elyas M'Barek), who became a teacher at the Goethe secondary school and college through a strange combination of factors after being released from prison, now finds himself once again at the centre of a number of colourful adventures that see the involvement of dogs, Superman and Faust, Part Two, as he somehow tries to prepare Chantal ( Jella Haase), Danger ( Max von der Groeben), Zeynep ( Gizem Emre), Burak ( Aram Arami) and the rest of the class for their A levels.
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